stamp artContraire Logo white arrow-down arrow-left arrow-right arrow-up artwork-placeholder chat-24 coupon deal helpcrunch-chat line-messenger model-3dshowroomdefaultart-painting artist-profile-exclusive artist-profile artist-profiles easel notebook paint-palette paintbrush paintbrushes painting-magnifier pencil picture-frame cart checkbox-round-true checkbox-true checkbox creditcard double-arrow-up download-folder edit-box facebook google-plus home info-round lightbulb list mail-artist mail-phone mail menu phone pinterest radio-true radio round-avatar round-avatars truck twitter warning-round crossmagnifiercameradesktop-monitor dollar-symbol expand-arrows-altexpandfilter gemglobe-painting handshakeoriginal-sizephoto-videosign-out-option starreturn avatar location line-messenger pearl-necklace easter-island

Loro’s shed

This painting was made using small studies and drawings done in the village of Anticoli Corrado, Lazio.

Previously I had made a series of paintings, based in the farmer’s gates in the village. I had then begun to search for another man-made structure within the landscape.

I found this shed, on the land of a local villager. Here the local keeps his tools and equipment.

The yellow, an old street railing, against the grey blue corrugated iron, in the strong spring and summer sunlight, provided a wonderful contrast.

I also liked the squareness of the shed, which was mirrored in the square of the canvas, the vegetation surrounding, almost framing the shed itself.

The structure of the shed seemed to have organised itself. A random collection of found material, built to create a shed.

This chaos was mirrored in the surrounding vegetation, very random, but with sense of harmony. Strong figuration reduced down to simple abstraction.

I have always been taken buy subjects that hold a sense of history within them. A sense of time pasted. The substance of paint holds something very contemporary and modern within it, and transferred onto a canvas can transform subjects deemed 'old' into a contemporary existence. Do you like my art? Then take a look at more of my artworks on my profile page.

SaveRemove
Save
Medium Oil on Linen
Year 2018
Dimensions 120 x 120 cm
Request price

    This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.
    The price of this artwork is not publicly visible. Please write us to request its price.
    WhatsApp
    Message
    Offer

      This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.
      5% for charity
      If you buy this artwork, 5% of our profits will go to charities that support people from socially marginalized groups. Read more about our cheritable partner organisations.
      Noel Paine studied at the City & Guilds of London Art School (Foundation, 1990-91); the University of Wales, Cardiff (BA, Art and Aesthetics, 1st Class Hons Painting, 1991-94); and the University of Kent, Canterbury (MA, Fine Art, 1996-98). While studying, Noel travelled to the USA which proved to be an influential time for research and practical development in his early career. Upon returning to London in 1996, he began to work on paintings which would extend into the work he makes today. This focuses on scenes of the environment he inhabits, this has resulted in his ‘London East End’ series, and, since 2008, when he has been living and working in Italy and Austria, an ongoing series of works with historical and stylistic influences from Lazio and the landscape of the Austrian countryside.

      Go to the artist page of Noel Paine.