stamp artContraire Logo white arrow-down arrow-left arrow-right arrow-up artwork-placeholder chat-24 coupon deal helpcrunch-chat line-messenger model-3dshowroomdefaultart-painting artist-profile-exclusive artist-profile artist-profiles easel notebook paint-palette paintbrush paintbrushes painting-magnifier pencil picture-frame cart checkbox-round-true checkbox-true checkbox creditcard double-arrow-up download-folder edit-box facebook google-plus home info-round lightbulb list mail-artist mail-phone mail menu phone pinterest radio-true radio round-avatar round-avatars truck twitter warning-round crossmagnifiercameradesktop-monitor dollar-symbol expand-arrows-altexpandfilter gemglobe-painting handshakeoriginal-sizephoto-videosign-out-option starreturn avatar location line-messenger pearl-necklace easter-island

Loro’s shed

This painting was made using small studies and drawings done in the village of Anticoli Corrado, Lazio.

Previously I had made a series of paintings, based in the farmer’s gates in the village. I had then begun to search for another man-made structure within the landscape.

I found this shed, on the land of a local villager. Here the local keeps his tools and equipment.

The yellow, an old street railing, against the grey blue corrugated iron, in the strong spring and summer sunlight, provided a wonderful contrast.

I also liked the squareness of the shed, which was mirrored in the square of the canvas, the vegetation surrounding, almost framing the shed itself.

The structure of the shed seemed to have organised itself. A random collection of found material, built to create a shed.

This chaos was mirrored in the surrounding vegetation, very random, but with sense of harmony. Strong figuration reduced down to simple abstraction.

I have always been taken buy subjects that hold a sense of history within them. A sense of time pasted. The substance of paint holds something very contemporary and modern within it, and transferred onto a canvas can transform subjects deemed 'old' into a contemporary existence. Do you like my art? Then take a look at more of my artworks on my profile page.

SaveRemove
Save
Moyen Oil on Linen
Année 2018
Dimensions 120 x 120 cm
Request price

    Ce site est protégé par reCAPTCHA et les règles de confidentialité de Google et les conditions d'utilisation s'appliquent.
    The price of this artwork is not publicly visible. Please write us to request its price.
    WhatsApp
    Message
    Offre

      Ce site est protégé par reCAPTCHA et les règles de confidentialité de Google et les conditions d'utilisation s'appliquent.
      Noel Paine a étudié à la City & Guilds of London Art School (Foundation, 1990-91) ; à l’Université du Pays de Galles, Cardiff (BA, Art and Aesthetics, 1st Class Hons Painting, 1991-94) ; et à l’Université du Kent, Canterbury (MA, Fine Art, 1996-98). Pendant ses études, Noel a voyagé aux États-Unis, ce qui s’est avéré être un moment important pour la recherche et le développement pratique au début de sa carrière. À son retour à Londres en 1996, il a commencé à travailler sur des peintures qui allaient se prolonger dans le travail qu’il réalise aujourd’hui. Il se concentre sur des scènes de l’environnement qu’il habite, ce qui a donné lieu à sa série « London East End » et, depuis 2008, alors qu’il vit et travaille en Italie et en Autriche, à une série continue d’œuvres aux influences historiques et stylistiques du Latium et des paysages de la campagne autrichienne.

      Allez sur la page d'artiste de Noel Paine.